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"sleeping beauty
syndrome I"

installation - surroundsound and prints

may 2008 - oliver kunkel

download the presstext in german here

Listen to the sound example, which is reduced from 5.1 Surround to Stereo Sound, to get an idea about the installation:

Spoken text from the soundfile as pdf:
English

Found translation in german (not checked if complete)

Setup in a room without windows, in a clinical atmosphere, totally aseptic except for the excrement of the doves which the artist, Oliver Kunkel, let out during the opening.

In the center of the room there is a reproduction of a mobilephone microwave antenna, bare walls all around, in every corner a reconverted speaker from which the viewer listens to a multitracked soundfile in dolby-surround. That one is dominated by a “Shepherd-Sound” that is called as his innovator: a sound that produces an illusion of permanent swelling, after a few minutes a noise of haunting effection because there is no releasing climax. Is it a trial? Who transmits and who receives? That soundfile is underlaid with a whispered text of 45 minutes. The remained tracks are sine curves of high-pitched and really low-frequented tones between 63 and 100 megahertz, extremely unpleasing for the human sense of hearing, as well as the familiar automatic laughing that is used for comedy shows.

The whispered text taken from the internet expresses a conspiracy theory about a supposed incident in Great Britain while the era of Thatcher: the government is reported to have sent microwaves, called ELF (extremely low frequency)-waves, by radio masts to socially disadvantaged, urban areas in order to depress riots, unbeknown to the population. Those waves shall prevent aggression and have an effect on the human psyche.
The automatic laughing on the track comments on the theory. But: there is still an uncertainty about the real impact of such waves because it isn´t proven accurately.

The title of the piece „Sleeping Beauty Syndrome I“ refers to the codename of a military project established by the government during the era of Reagan when a system of weapons working with microwaves, temporarily adopted in Iraq, was investigated.

Oliver Kunkel designs his installations at the computer: constructing stereoscopic pictures of his exhibiton space and virtual role models of all objects within. He compares his work with that of a sculptor: First of all he builds a basic shape that receives a complete appearance using methods like shaping and rendering. This form is brought to perfection including the reflections of the virtual surrounding. Those objects can be viewed as computer prints in the first room of the KJUBH Artspace. The scene seems to be a fairy tale: bellied creature like forms at the end of the tree root with throats from which a sangenious, tough liquid flews out – victims? Of which crime? The pictures contain details of a virtual tracking shot defining what the cause for the morbid situation of the creatures could be. Lets glance at the top of the tree: there is a hidden mobile station.
As well as in other topically related pieces, the artist deals with diffuse social fears regarding technical developments, new scientific expertises and the exponential wave that is symbolised within the “Sheperd-Sound” to point out the increasing economic growth.

 
oliver kunkel - sleeping beauty syndrome I

"sleeping beauty syndrome I"
may 2008 - installation, surround sound, pigeons (just at the opening) - oliver kunkel

sleeping beauty syndrome I - oliver kunkel
"sleeping beauty syndrome I" detail
may 2008 - installation, surround sound, pigeons (just at the opening) - oliver kunkel
oliver kunkel sleeping beauty syndrome I print   oliver kunkel sleeping beauty syndrome I print
prints and detail- each 52 x 73 cm - oliver kunkel

Kunkel insecures the viewer with his computer-generated pictures, videos, performances and installations. He creates ironical, sometimes oppressive metaphors that emblematise present manipulation and disinformation of media or the economic lobby which is confronted with hysteria, repression or unconsidered affirmation by the consumers.

 
zur kunstakademie
 
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AND SO ON), BELONGS TO OLIVER KUNKEL - COLOGNE - GERMANY.
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